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Magic Marc Productions

I am an independent concert, music and event promoter based in the Minneapolis / Saint Paul, Minnesota area.

I am interested in creating unique, one of a kind, once in a lifetime, never to be forgotten events!

I am open to all ideas, suggestions, and comments for any kind of artistic endeavor.

Please feel free to email me with your thoughts.

Thank you.

Marc Evan Percansky

marc@magicmarcproductions.com

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MY GREENWICH VILLAGE: Dave, Bob and Me By Terri Thal, Published by McNidder & Grace

CONTACT: Marc Percansky

marc@magicmarcproductions.com

FOR IMMEDIATE RELEASE

MY GREENWICH VILLAGE: Dave, Bob and Me

By Terri Thal, Published by McNidder & Grace

Terri Thal was very much part of the folk music world in 1960s Greenwich Village. Few people

know that she was 21-year-old Bob Dylan’s first manager prior to his contracts with Albert

Grossman and Columbia Records. She also managed musician Dave Van Ronk (then her

husband) and others, including Maggie and Terre Roche and The Holy Modal Rounders. She

tells us about this in her new book, My Greenwich Village: Dave, Bob and Me, published by

McNidder & Grace.

Terri Thal has two passions: folk music and social justice. Her book is a personal story of the

world of folk music in 1960s New York, written by a Jewish woman from Brooklyn who,

although not a musician, was an intrinsic part of this scene. Terri describes Greenwich Village as

a community that was supportive, musically exciting, and one in which people had fun. She tells

us what it was like to hang out in the Village coffee houses, to host folk singers like Tom Paxton

and Phil Ochs, who spent evenings at her apartment, and to be a manager. We hear her views of

the “old-left” socialist organizations she was close to or joined.

Terri later merged her social justice work with her professional work in not-for-profit agencies,

handling public relations and fundraising, then as executive director. She’s retired now, but

continues to do some writing and grant writing for not-for-profits, and does environmental and

criminal justice reform work as a volunteer. Terri is an avid reader, writer and editor.

Greil Marcus has described Thal’s book as having “…a voice so full of vehemence it makes

everything interesting.” (Substack, September 18, 2023)

# # #

US Publication Date
5 October 2023
Hardback $32.95
ISBN 9780857162489
EBOOK
ISBN 9780857162496
FORMAT
240x162mm
EXTENT
232 Pages
ILLUSTRATIONS

16pp colour plate section

McNidder & Grace
www.mcnidderandgrace.com

MY GREENWICH VILLAGE Dave, Bob and Me - PRESS RELEASE

PRESS RELEASE

A NEW BIOGRAPHY/MEMOIR BY BOB DYLAN’S FIRST MANAGER

McNIDDER & 

GRACE

MY GREENWICH VILLAGE
Dave, Bob and Me
By Terri Thal

Terri Thal was very much a part of the folk music world in 1960s
Greenwich Village, New York. Few people know that she was 21-year-
old Bob Dylan’s first manager prior to his contract with Albert
Grossman and Columbia Records. She also managed musician Dave
Van Ronk (who later became her husband), and others to include the
Roche sisters, Paul Geremia and The Holy Modal Rounders. She
booked performances at coffee houses, clubs and basket houses. On 6
September 1961, she recorded a set from a young Bob at The Gaslight
Café – it is the first known live recording of his original songs - known
to Dylan fans as the First Gaslight Tape! Terri took this ‘audition’ tape
to clubs to try to get him gigs – and she still owns the original reel-to-
reel tape! She had many friends in Greenwich Village including Suze
Rotolo and a number of seminal 1960s folk musicians.

When Dave Van Ronk first saw young Bob performing in a club in
Greenwich Village he said ‘I just heard this kid who’s a fucking genius.
You’ve got to hear him.’ Within a few days I heard him play and agreed
with Dave. Bob Dylan asked me, ‘Would you get me gigs?’


US Publication Date
5 October 2023
Hardback $32.95
ISBN 9780857162489
EBOOK
ISBN 9780857162496

FORMAT
240x162mm

EXTENT
232 Pages
ILLUSTRATIONS
16pp colour plate section

DESCRIPTION

Terri Thal has two passions: folk music and social justice.

This is a personal story of the world of folk music in 1960s New York
written by a Jewish woman from Brooklyn who, although not a
musician, was an intrinsic part of this scene. Terri describes
Greenwich Village as a community that was supportive, musically
exciting and one in which people had fun.

Terri tells us what it was like to hang out in the Village coffee houses,
to host folk singers like Tom Paxton and Phil Ochs who hung out at
her apartment, and to be a manager. We hear her view and
involvement of the 1960s socialist organizations, and how she later
merged her professional work in not-for-profit agencies.

Terri Thal grew up in Brooklyn and in the 1960s and 70s lived in
Greenwich Village, hanging out with and managing folk singers such
as Dave Van Ronk, Bob Dylan and the Roche sisters. She was very
much a part of this vibrant and iconic music scene – as well as a
member of socialist organizations. As an avid campaigner for social
justice Terri went on to work for not-for-profit organizations, handling
PR and fundraising, then as executive director. She now spends her
time doing environmental and criminal justice reform work. Terri is an
avid reader, writer and editor.

Book launch September 12 at The Bitter End,
New York at The Village Trip Festival

 

‘No one was closer to all of it in Greenwich Village than Terri Thal.’
Tom Paxton, folk singer-songwriter

‘A fabulous glimpse into an era of music and politics that changed everything.’

Richard Barone, musician and author of Music + Revolution: Greenwich Village in the 1960s

‘Terri Thal’s candid and deeply personal memoir of the mythological Village of the Sixties answers questions so
many of us have had - and adds to our knowledge of the iconic musicians she befriended and worked with.’

David Browne, author of Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Lost
Story of 1970

‘When I began writing Bob Dylan In The Big Apple, there were a small number of key people that I was keen to interview. People who were integral not only to the Bob Dylan story but also to Greenwich Village and even New York itself. The most important of them all, Terri Thal, remained elusive. She was Dylan's first
manager, the spark at the heart of 60's Greenwich Village, and was eventually persuaded to contribute to my book. The most vibrant and informative of chapters. Of course. I whooped with delight at the news that Terri would give a rare interview to me... and finally with this book, the world at long last gets the whole story.’

K G Miles, co-author of Bob Dylan in Minnesota

‘Terri Thal, with her razor sharp wit, takes you right back to the late 50's and early

60's Greenwich Village folk scene along with behind the scenes on being Bob Dylan's

first manager. She was a huge link in Bob's chain of success. This is a must read book!'
Marc Percansky, co-author of Bob Dylan in Minnesota

BOB DYLAN: FACE VALUE AND BEYOND EXHIBITION ADDS NEVER-BEFORE-SEEN ITEMS FROM BLOOD ON THE TRACKS ERA


BOB DYLAN CENTER TULSA, OK

FOR IMMEDIATE RELEASE

Contacts:

Larry Jenkins – Larry.Jenkins@bobdylanarchive.com

Lacy Wulfers – lmw3211@utulsa.edu

BOB DYLAN: FACE VALUE AND BEYOND EXHIBITION ADDS
NEVER-BEFORE-SEEN ITEMS FROM BLOOD ON THE TRACKS ERA

The Tulsa exhibition focuses on Dylan’s visual art, featuring his Face Value portrait series, along with historic lyric manuscripts and ephemera from The Bob Dylan Archive® collection


TULSA, Okla. (Oct. 9, 2019) — The Bob Dylan Center℠ has updated its exhibition, Bob Dylan: Face Value and Beyond, with never-before-seen items from Dylan’s mid-1970s period that produced the renowned album Blood On The Tracks and the Rolling Thunder Revue tour.

The exhibition, at Tulsa’s Gilcrease Museum of American Art, also has been extended through Jan. 5, 2020.

Kevin Odegard ©️ 2012

Kevin Odegard ©️ 2012

In addition to its exploration of Dylan’s visual art, Face Value and Beyond features the first public display of the “blue notebook” in which Dylan began composing the lyrics that became Blood On The Tracks, released in 1975. The “blue notebook” now is accompanied by additional material from the era, including items recently donated to the archive by Kevin Odegard, one of the Minnesota-based musicians who backed Dylan on recording sessions for Blood On The Tracks.

Odegard donated the Martin acoustic guitar he played on “Tangled Up In Blue” to the archive, among many other items related to his recording sessions with Dylan.

“Playing on ‘Tangled Up In Blue’ was the greatest thrill of my career,” said Odegard, who wrote A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks with rock journalist Andy Gill. “My second greatest thrill is sharing that guitar with generations to come.”

Aside from presenting the many facets of Dylan’s artistry, the exhibition also serves as a sneak preview of the Bob Dylan Center, currently under development in the Tulsa Arts District.

“We have no plans to exhibit these archival items again before the Bob Dylan Center opens in 2021,” says Steve Higgins, managing director of the American Song Archives, which operates the Dylan archive as well as the Woody Guthrie Center. “Even if you’ve already seen Face Value and Beyond, the new material is well worth a return visit.”

The exhibition, which opened in May, includes the first regional showing of Dylan’s renowned Face Value portrait series, as well as drawings, filmed performances, writings, personal effects and ephemera.

One of the most important cultural figures of our time, Bob Dylan has been creating visual art since the 1960s, but only began exhibiting his work publicly in 2007. The 12 pastel portraits in Face Value represent Bob Dylan’s first public foray into portraiture, having debuted at London’s National Portrait Gallery in 2013 and shown in the U.S. only briefly in 2015. The exhibition also premieres drawings and sketches from The Bob Dylan Archive® collection, including two recently unearthed Dylan sketchbooks from 1970 and a series of never-before-seen artworks originally created by Dylan for his 1973 book Writings and Drawings, only a fraction of which appeared in that volume or have ever been reproduced in any form.

Bob Dylan: Face Value and Beyond also features archival manuscripts and objects exclusive to The Bob Dylan Archive® collection, including handwritten lyrics to some of the artist’s best-known songs that reveal a glimpse into Dylan’s creative process through the artist’s many visible edits. The exhibition includes numerous elements spanning five decades, including two silent Andy Warhol–directed “Screen Tests,” of Dylan, the leather jacket worn by the artist at the Newport Folk Festival in 1965 when he famously unveiled his new electric sound, and a wallet and address book from the mid-1960s that contain a number of personal references and effects.

Bob Dylan: Face Value and Beyond runs through Jan. 5. Museum hours are 10 a.m. to 5 p.m., Tuesday through Sunday. For more information, visit gilcrease.org.

# # #

About The Bob Dylan Center℠
To be anchored by a permanent exhibit on the life and work of Bob Dylan, The Bob Dylan Center is committed to exploring the myriad forms of creativity that enrich the world around us. When it opens in the Tulsa Arts District, the Center will serve to educate, motivate and inspire visitors to engage their own capacity as creators. Through exhibits, public programs, performances, lectures, and publications, The Center aims to foster a conversation about the role of creativity in our lives.

As the primary public venue for The Bob Dylan Archive® collection, the Center will curate and exhibit a priceless collection of more than 100,000 items spanning Dylan’s career, including handwritten manuscripts, notebooks, and correspondence; films, videos, photographs, and artwork; memorabilia and ephemera; personal documents and effects; unreleased studio and concert recordings; musical instruments, and many other elements.

About Gilcrease Museum
The Thomas Gilcrease Institute of American History and Art, commonly known as Gilcrease Museum, has a
400,000-item collection of American art and artifacts as vast as the American experience and is world renowned for the preservation and study of American art and history. Additionally, The Helmerich Center for American Research on the museum’s campus houses a vast archival collection that includes over 100,000 rare books, documents, maps and unpublished material related to the history of the North American continent. The museum is owned by the City of Tulsa, which has partnered with The University of Tulsa to steward the museum. To learn more and view the current exhibition schedule, please visit gilcrease.org.

About The Bob Dylan Archive® Collection
Composed of more than 100,000 items spanning nearly 60 years of Bob Dylan’s unique artistry, singular career, and worldwide cultural significance, The Bob Dylan Archive collection includes decades of never-before-seen handwritten manuscripts, notebooks and correspondence; films, videos, photographs and artwork; memorabilia and ephemera; personal documents and effects; unreleased studio and concert recordings; musical instruments, and many other items. The collection was acquired in 2016 by the George Kaiser Family Foundation and The University of Tulsa and is housed at the university’s Helmerich Center for American Research at Gilcrease Museum in Tulsa. The Bob Dylan Archive eventually will be exhibited to the public at the future Bob Dylan Center℠ in the city’s flourishing Tulsa Arts District. For more information, visit bobdylanarchive.com.

About Bob Dylan

Bob Dylan is generally regarded as one of the world’s most influential and groundbreaking artists. In the decades since he first burst into the public’s consciousness via New York City’s Greenwich Village folk music scene in the early 1960s, Bob Dylan has sold more than 125 million records and amassed a singular body of work that includes some of the greatest and most popular songs the world has ever known. He continues to traverse the globe each year, performing nearly 100 concerts annually in front of audiences who embrace his new material with the same passion as his classic output. In recent years, his work as an author and visual artist has further burnished his popularity and acclaim; a worldwide best-selling memoir, Chronicles Vol. 1, spent 19 weeks on the New York Times Best Seller List, in 2004, and several major exhibitions of his paintings and iron gates have been shown in recent years at some of the world’s most prestigious museums and galleries.

Bob Dylan’s contributions to our culture have been recognized with numerous honors and accolades. In
December 2016, he was awarded the Nobel Prize for Literature by the Swedish Academy “for having created new poetic expressions within the great American song tradition.” In 2012, he was awarded America’s highest civilian honor, the Presidential Medal of Freedom, by President Barack Obama. In addition to winning 11 Grammy Awards, Dylan has achieved six entries in the Grammy Hall of Fame, which honors recordings of “qualitative or historical significance” at least 25 years old. For more information, visit bobdylan.com.

Bob Dylan Center • 203 North Main Street, Suite 216 • Tulsa, Oklahoma 74103

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